Before the project parameters were completely assigned and described I knew I wanted to have a painting record player. At first my idea was to somehow, have the record playing on one side, while painting the other side. Since I wasn't sure how it would sound through a cone-perhaps too quiet, and because I wasn't sure how I would get it to spin, I decided I should use the record player. After talking to others and Patrick we decided building a platform would make more sense and be more practical. Then I added in a paint catcher, and spray painted all pieces. I also needed a platform to hold up the paintbrush that was going to paint it, but then found a perfect moving Santa that has a constant back and forth motion, and glued a paintbrush to his hand. The project worked perfectly, with the exception of Santa's pressure making the record sound very slow here and there. I chose a gold and red theme for the holidays and also put that in Santa's clothes to further tie him in. Overall, I am very pleased with how this project turned out!
Monday, December 9, 2013
Part 2 Final-Record Reconstruction
I had picked the sounds of a piano, a deep mans voice, and a chorus, simply because I wanted it to sound somewhat cohesive. Then, I thought the glue had dried to fast, but after testing out my record I realized I had created a jump. When the record spins it leads up to little jump then progresses after. I then spray painted it out of curiosity as to if I could since I just so happened to buy spray paint the previous day. I had no idea you could cut them apart and have them work, it really amazed me. I think it was also to hear how everyone's records also sounded very different from each other whether it was constructed that way or the choice of song influenced it. I liked Serena's choice of songs and Andrea's construction of a little circle cutout and fill in.
Part 1 Final-Projector
Gallery Viewing
Andrea
Borsuk’s Gallery, Leap of Faith
This
particular exhibition caught my eye immediately. It was specially created and
personalized for The Nevada Art Museum. Borsuk is originally from Santa Cruz
and moved here to Reno. Leap of Faith
portrays the journey she took as well as other hidden meanings. Borsuk has a
unique and noticeable medium in that she also includes objects to further enrich
her work.
With the works there are paintings on
canvas, paintings on cloths, and objects to enhance her symbolization. There
are throw ropes and ring buoys which are said to be recurring objects she uses
in other works. Borsuk finds it interesting that there are cultural obsessions
with objects or rituals for protection, good luck, or the feeling of safety
from these objects and rituals. To symbolize this she has horse shoes and
rabbit ears. Borsuk is also trying to portray the journey of life as a whole,
not just her journey. She wanted to show life is unpredictable and ever
changing for everyone, which is a point that all people can relate to. When
observing her work it is mostly composed of cool colors with highlights here
and there of a vibrant orange. Then, there are people leaping and flying
through the paintings, hence the title, Leap
of Faith. Other objects in her exhibition that I found interesting were a
magic eight ball, feathers, and pearls. In her artist statement it also says
she is trying to represent Greek goddesses by showing the jewels, for a
representation as another safety device that people would look up to for
protection or their personal needs
I really enjoy the thought put into
this work as well as the objects that really enhance and complete the
exhibition. The objects further solidify all of the hidden meanings she has in
her works, although to fully understand this exhibition one would need the
artist statement. Visually Borsuk’s work is very pleasing because of these
subtle touches as well as use of color.
Lecture #2
Carmelo Ortiz de Elgea
This lecture was about Carmelo Ortiz de Elgea, who is a
contemporary Bask artist from Spain. Carmelo’s medium is painting, which he
usually will jump right into without sketching which is out of the ordinary for
painters. His work is based off of nature, which ranges from the landscape he
has around him in the Bask country as well as what he has observed in the
United States.
Carmelo is from the southern part of
the Bask country, however he does not speak Bask but instead Spanish. Although
Carmelo identifies himself as Bask culturally and in his art, he was not
allowed to learn the Bask language because when he was growing up there was a
war going on and the Bask people were not allowed to practice their culture. However, this didn’t stop Carmelo from
observing great Bask artists around him as he was growing up.
When viewing Carmelo’s exhibition it
is easy to see his attention to color and detail, as well as the texture he gives
to it. Carmelo has said that he wants to create nature, but not just any
nature, his nature. Carmelo successfully creates his own nature with his use of
color and his style of painting which is slightly abstract due to his choppy
brushstrokes. Carmelo has also teamed up with other famed Bask artists such as
Basterretxea and Zumeta in exhibitions, combining their ideas with his.
Based on the fact that he does not
sketch and jumps right into his paintings shows his unique way of thinking as
well as his talent. Viewers of his art can easily get lost in his paintings of
nature in that they are so different from reality yet calming in their
differences. I admire Carmelo’s take on nature and his art, it is beyond
stunning and irreplaceable.
Lecture #1
Framing Identity-Faded Glory
Rafael Blanco de San Roman
Rafael Blanco de San Roman
Rafael Blanco de San Roman’s work and
its unique relevance were discussed in this lecture on Framing Identity, Faded Glory, as well as his history as it
pertains to his work. Rafael is also
celebrating his graduation for his MFA from the University of Nevada, Reno. Originally
Rafael is from Spain, where there is a lot of tension due to different believes
between regions, both currently and historically. Rafael’s two passions in life
are art and tennis; he pursued both when he moved to the US, although he had a
tennis scholarship Raphael had fallen more in love with Art. After moving from
Florida to California Rafael eventually chose to finish out his schooling in
the Arts in Reno, Nevada. Rafael’s, Faded
Glory, is a depiction of his journey as well as his views on the
differences in cultural as well as patriotism.
Raphael’s work encompasses so much
more than meets the eye. Although his previous works were painting portraits
and flamenco dancers, he eventually had many mediums as well as content, but
was mainly focused on American art. To Raphael the patriotism in the US is much
more prominent than in Spain. He also finds it interesting how much more sacred
our symbolism of the flag is looked at. So for Faded Glory, Raphael would make giant flags as well as other
patriotic pieces and over exaggerates what we usually see so that we may
understand just how much it stands out to him. Rafael also has many paintings
and photographs of similar content. Then he also thought it was funny that a
Spaniard was making art so invested in another culture. So, Rafael decided to
also film himself while he created his art. His passion can be seen through his
art to successful portray just how another culture may view the US. Raphael’s
exaggerated art is beautiful and unique in that there is so much more meaning
to it than would be originally thought when looking at his work.
Faded Glory has
such a beautiful meaning as well as demonstrating to be very visually
successful. Raphael’s background is very important in his work in order to show
how his past has intertwined with his present life. Raphael’s work also makes
one realize how important it is to value your country and its patriotism, as
well as not to take it for granted since other countries are not as lucky as we
have been.
Sunday, November 17, 2013
Granny's Tour!
The link for Granny's Audio Tour:
http://www.unr.edu/art/digital_media/tour/midtown/006%20Granny's%20Tour-Chohnny%20_mixdown.mp3
This is a small tour of downtown Reno, based around the Virginia Street Bridge. You are taken back to the 1940's, a glimpse into the original Reno. The starting location is the Courthouse, then down along the river to the Virginia Street Bridge, then finally down Virginia Street to the Reno Arch. Erase your version of Reno from your memory, and step into the Biggest Little City, Sin City, of the 1940's.
Monday, October 28, 2013
Sunday, October 20, 2013
Thursday, October 10, 2013
Monday, September 9, 2013
YouTube Mixer
http://www.unr.edu/art/digital_media/345fall2013/Chohnny_Sousa.html
Nature Walks to the Beat of Its Own Drum
This piece pulls together nature and music as one, not necessarily just nature, or just music, but the two of them together to create a chaotic harmony. The colors in each video start at black and white, then once the music and nature proceeds, life is brought to each video with bold color. The visual appeal was very important in this piece, as I wanted to show the beauty of the world around us as well as what it would look like if we are to take it for granted. The simplicity of the black and white is meant to portray beauty and a mysterious touch. The music from today, as with many other aspects of life started from nature, or in this case the sounds of nature. Nature Walks to the Beat of Its Own Drum, is a portrayal of the evolution of the beauty of nature both visually and aesthetically, with the most important message being that everything we as man kind enjoy is all thanks to the beautiful and amazing world around us.
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